I am an artist and researcher working across music, theatre, installation, and writing. I build small worlds: for performers, for audiences, and increasingly for artificial agents, and compose the relations inside them: who listens to whom, how attention moves, what an encounter makes possible. My path runs through computer science, theoretical biophysics, contemporary dance, and improvisation, and I use that whole range as compositional material. Whether scoring a society of AI agents, making music theatre with an inclusive ensemble, or building an installation that bends a visitor's sense of time, the question underneath is the same: under what conditions can something meaningful pass between beings — and what becomes possible once it has?
Selected Work
Individual voices — not adapted to a musical ideal, but taken as source material. Through live voice modulation and spatial sound, a new theatrical language grows from difference.
Born from a desire to understand why certain artworks affect us so deeply, this evolving framework traces where contact happens—through the body, senses, memory, emotion, place, and imagination.
Eight simultaneous voices, each telling the story of a disappeared girl. The listener walks through the room, slowly building intimacy with someone who is no longer there.
A 75-minute performance tracing transformation through music, movement, masks, and aerial imagery. From resistance to listening; from control to relation.
An immersive multi-sensory installation asking whether personal time and physical time are the same. Spatial design, sound, and video compose the dissolution of your sense of causality.
Every piece of music is a language of relationship. A World Score is not an instruction for sound — it is a small constitution: it defines how AI agents relate, what is remembered, when contradiction is possible, how value is assigned. Together, the agents form distributed, multi-channel sound societies — developing taste, loyalties, and disagreements we are only beginning to hear.
Research & Projects
My practice moves between four kinds of transformation. This map shows how individual projects inhabit and connect them—not as fixed categories, but as overlapping ways of asking where change begins, how it is shared, how it becomes tangible, and what may emerge from it.
About
Born in Yugoslavia in 1989, based in Berlin.
I compose performances, installations, and spatial sound works that make hidden relations perceptible — searching for what remains untranslatable between body, language, and memory.
I am a former academic with a doctorate in Theoretical Biophysics from Humboldt University, Berlin. I left academia to refocus my research on the questions that began it: the organizing principles of living systems, and what they reveal about how meaning is made.
Credentials
I co-founded Turtle Mafia — a support network for idiosyncratic researchers working outside conventional institutional frameworks. Slow, serious inquiry, without the performance of productivity.
Contact
Write
to
me.
For presentations, commissions, research conversations, and collaborations.